Showing posts with label german immigrant. Show all posts
Showing posts with label german immigrant. Show all posts

Wednesday, October 5, 2016

So Long, Suckers


I  could have a vine-covered cottage, but there's plants enough around here, and invasive vines shouldn't receive encouragement, so I set about pulling down the several vines growing roofward on the south-facing wall. I don't know what they are, but they have the neatest little feet--suckers--they use to climb the wall and hold on. They cling so tightly that when ripped from the siding it sounds like Velcro, and they take the paint off. For good measure I tore the roots out when I could and cut them when I couldn't.
Who cut the hearts into the cottage's nonfunctional shutters I don't know, but at different times they please me and other times make me ill. I used to know, way back when, an old man, German immigrant, a former Nazi Youth. He had heart cutouts in his shutters just like this. He apologized to me for the Nazis who imprisoned my dad for four years. He didn't know any better, he said, back then. I believe him. I'm seeing how politics can sweep people up. But now I have difficulties loving the heart cutouts and often don't even see them.

Wednesday, September 17, 2014

"Kommt von irgendwo ein Lichtlein her"

My stepfather's first wife, a lively German-born woman, had fine china and subscribed to Hausfrau magazine, sent from Germany. She, Helen, very sadly died of ALS in her forties. Their house was filled with German objects and handicrafts, including a hand-painted and framed 12-line poem I happened to inherit. My high-school German allowed me to read it. It began:

Immer, wenn Du meinst
es geht nicht mehr,
kommt von irgendwo
ein Lichtlein her. . .

Always, when you think
you can't go on anymore,
comes from somewhere
a little light. . .

It continues to say, "so that you try once again, and sing from sunshine and joy, and your burdens feel lighter, and you again become cheerful."

The poem fits my artificial-sunlight lamp, brought out of storage to glow at my side on dark mornings or late afternoons. Often in September I begin to lose heart, find everything difficult, and enjoy nothing but tiny cups of espresso. I'm one of the millions with Seasonal Affective Disorder, so somebody invented this little lamp, sent to me by my sister Rose. I didn't believe it could help, but it does. When overused (more than two or three hours per day) you feel not sunshine and joy but as if you've ingested too much caffeine.

Sunday, July 1, 2012

Welcome to Utopia


Carol invited me to stay with her at the Poet's House, 404 Granary Street, in New Harmony, Indiana, population 800, founded in 1814 by the Harmonists, Germans who came to the then-wilderness on the Wabash River to establish an ideal society. They built cabins the first winter and brick dorms that still stand. These progressives believed in honor, sharing, hard work, friendship, education, and going to heaven -- everything good but sex. Men and women lived in separate dorms. Those already married could live together but chastely. The Harmonists' experiment failed, but they built a fabulous church that their leader saw in a dream, a brewery (try the beer from their recipe, Harmonie Bier), a granary, a workingman's library and a town with prayers and poems posted along the cobbled, tree-lined residential streets and at its famous Inn and gardens and Roofless Church and two labyrinths -- symbol of the city. It's all about beauty and spirit and views of cornfields. Everything there becomes art. Above is the Poet's House living room, showing the simple look that is typical (the flooring is poplar wood; through the doors is an herb garden); a photo taken in a oversized chair sculpture near the Inn. And the more-than-awesome "bier" from the 1816 recipe, available only at one cafe, called Sarah's; I will drive six hours round-trip to get another one. A wonderful and refreshing visit. They need to move this town to Missouri.

Saturday, June 16, 2012

Dillard's Mill, Davisville, Mo.

Pulling a lever, the guide started the turbine and the whole three stories of the 1901 mill shivered, and the old machines made of wood and cast iron, with belts of canvas or leather, came alive. I remarked on the quaking and the guide said, "You're in a giant machine." In its day Dillard's Mill, powered by the Huzzah River, separated corn from cob and flour from bran, grinding the grain into flour and the cobs and bran into animal feed, wasting nothing. It ground coffee and spices too. Dillard's Mill ground its last in 1956. Here's the mill outside (with its mill pond), a view of the inside, and its trademark flour sack.

I was the only person touring this Missouri state historic site on a weekday. It's about 2 hours' drive from St. Louis. Dillard's original mill, from the 1850s, burned and its ruins were purchased and rebuilt by German immigrants Emil Mischke and his sister Marie. According to the guide, Marie ran the mill while Emil sat outside, smoked, read the paper and gossiped. He fled the area after making pro-German remarks right before WWI, when two other local men who'd aired similar remarks turned up murdered. The Klemmes bought the mill from the Mischkes, built an electrical generator, and when it didn't turn a profit -- most folks began buying their flour from General Mills and Pillsbury -- made the location into a resort. The mill can operate but only for demonstrations.


It didn't use a millstone. After 1875 those were obsolete. This was a higher-tech "roller" mill, running the  grain several times through rollers on all three stories of the mill, then finally through horsehair brushes to extract every speck of usable flour and corn. Before electrification in the 1940s, the turbine ran on water channeled through a millrace, a gate that's lifted to let flowing water generate power. That's how it's run when you visit. The millers kept bamboo fishing rods available so farmers could fish while their grain was ground to order and bagged. More info and driving directions here.